Karl Malone HOF Week: A Tribute

August 11th, 2010 by Spencer Hall

by Brian Henderson
Special to Salt City Hoops

Can I bring these guns into the ceremony? (Photo: ESPN.com)

Karl Malone will be inducted into the Naismith Basketball Hall of Fame on Friday, joining only 295 other individuals who have ever played the game. Like many in Jazz Fandom, I want to give my own tribute to the Mailman in anticipation of his enshrinement into basketball immortality. For an unprivileged teenage kid from Salt Lake City, I had an unusual opportunity to interact with Karl Malone.

Before my senior year of high school, I managed to land a job as a ball boy for the Utah Jazz. (Before I became a ball boy, Karl opened a shoe store in Salt Lake City, where during the grand opening, I met an executive with the NBA who would become a dear friend and life mentor to me, and who has opened more doors to me than I can begin to count. I owe Karl big for that.) Karl’s upcoming induction ceremony has given me an excuse to reminisce on my experiences with him during that 1993-1994 season. You can find all the stories you want about whether he is the best power forward to have ever played the game. The numbers are there, as are the awards (minus the elusive titles). Instead, I want to tell you a few personal stories about Karl Malone off of the court, and how they reflect the same traits that made him great on it. Character counts in this walk to the Hall, if not formally, then certainly in the place taken by players like Karl in the minds of fans in the pantheon of basketball’s greats in Springfield, Massachusetts. Here, then, are a few anecdotes. (Forgive my personal indulgence in this post.)

It took me two years of Rocky Mountain Revue summer league hard labor, phone calls, letters, notes, stop-by’s, and even local celebrity endorsements–thank you, Ron Boone–to become a Jazz ball boy. (To this day, it is the hardest work I’ve ever done to get a job.) But in the end, after toiling through the fall 1993 training camp with my heart pounding through my chest during every practice, hoping against all odds that I would be hired, I got my opportunity when the “boss man” simply said, “First home game is next Friday. Show up at the arena at 4 o’clock.” I went through the roof. Instantly, my unrelenting pursuit paid off. Two years felt like ten to this teenager. As far as I knew, I was the only ball boy who managed to overcome zero connections to the front office, the players, or the coaching staff. I remember thinking, on behalf of all the kids in Utah who had ever dreamed about having such an up close and personal experience with the team, that I would take none of it for granted. With college looming, I knew I only had one season on the job. So I savored every minute of it.

We all know Karl had a lion’s heart on the court, and we all saw how he wore that heart on his sleeve in the spotlight–his relationship with Larry Miller serving as Exhibit A. Tears flowed between the two like Niagara Falls in a rainstorm. Karl’s energy and expressiveness on the court, and his interaction with fans, made his game truly entertaining to watch. Remember his “poster pose”? Or his unbridled celebration with Stockton and Hornacek after “The Shot” against Houston? He showed the same heart in private, too. He was always helping people out away from the cameras. He didn’t want the recognition for those moments. I admire him for that. I was one of the people he wanted to help. About 3/4 the way through that season, before a home game, he called me over to his locker and asked me if I had plans for the summer. “Let me send you down to New Mexico. I’ll get you a job at one of my car dealerships. You’ll have a great experience and save some money for college.” It was a generous offer, and one I turned down with some difficulty.” Just let me know,” he said. “I’ll get you a job if you want it.” It wasn’t the right situation at the time, but I have always appreciated his gesture. There are a thousand stories like mine, I am sure of it. Karl’s heart made him great on the court, and off it as well.

Karl Malone was a workhorse. The second most productive workhorse of all time in scoring, behind only Kareem Abdul-Jabbar. His on-court production was unrivaled and his blue collar mentality drove his entire career. After all, he did play all 82 games for ten seasons, and in the others only missed a handful more with the Jazz. In a recent interview with KSL-TV, he said, ”Not one time did I step on the floor physically and think that somebody was in better conditioning than I was.” He was simply always prepared, and got the job done. One night, after a game, the team was headed straight from the Delta Center to catch the charter flight for a road trip. But Karl had called in a food order–for everybody. “Do you have a driver’s license?” he asked me. “Yessir.” (It was not the time to admit that my only accident had come in the heart of downtown during the past NBA season on the day I skipped school to sneak into the Delta Center and watch Michael Jordan and the Bulls practice. Jazz fan Karma, no doubt.) He pitched me his wallet and the keys to his massive truck (with a two foot lift), and told me to be back in 25 minutes. I remember thinking, ‘Wow, now that’s trust.” Later, I realized I was about the safest place for his keys and his money, since he would have had me drawn and quartered had anything happened to his truck, or his wallet, or his food. So I tore off in Karl’s ride (after almost needing climbing gear to get up into it), grabbed the food (after convincing the restaurant employee the call wasn’t a hoax by showing him Karl’s driver’s license), and made it back in time to pass the food onto the bus as it was backing out of the arena. Karl got it done, by any means necessary on the court, and off it as well.

Finally, my greatest thrill that season happened with the entire team, but represents what Karl made us all feel during his 18 seasons with us in Utah. As the team marched through the 1994 playoffs, excitement in Utah built to a fever pitch. We dismantled David Robinson and the Spurs in five games during the first round. Then, the epic Denver Nuggets series went seven games before the Jazz prevailed. It was May 23, 1994. Game 1 of the Western Conference Finals was in Salt Lake City. As was the pre-game custom, the ball boys lined up on the court to form a gauntlet through which players passed and high fived us and one another during team introductions. The eventual NBA Champion Houston Rockets were in the building. The house lights went dark. The notorious Delta Center crowd roared to life. The deafening noise ricocheted off every corner of the building. The air was electric. Fireworks lit up the court. The entire building rocked in anticipation. I was standing on the court with the team, twenty thousand people screaming for the Jazz to defeat the favored Rockets–Hakeem, Mario Elie, Kenny Smith, Robert Horry, Sam Cassel and company. Could we do it? As longtime PA announcer Dan Roberts introduced the last of the starting lineup, one of the players hooked me with his arm and dragged me into the team huddle somewhere near center court. In the middle of a scrum with Karl, John, Jeff, and the rest of the team, I was pummeled by them all–play punched and jostled around until I was dizzy. The huddle broke. The lights came on. The team ran to the bench. Looking up at twenty thousand people screaming for a Jazz victory, I was alone on the court, and ambled off feeling like I was at the center of the basketball universe. I was. That’s how Karl made all of us feel. He put us at the center of it all.

So, as Karl heads to the Hall on Friday, congratulations are in order. Yes, he’s human. Yes, the Jazz fell tantalizingly short every time. But Karl made us believe.  And in every one of those moments, we were all thrilled to be part of it. We all owe Karl big for that. Here’s to the greatest power forward who ever played the game. The guy with the lion’s heart, and the unrivaled work ethic. The guy who gave this 17 year old kid and everyone else an opportunity to be part of one of the greatest careers in NBA history, and who took care of so many of us away from the limelight along the way.

2010-2011 Utah Jazz Schedule: Point-Counterpoint

August 11th, 2010 by Spencer Hall

By Mychal Lowman and Jeff Lind
Special to Salt City Hoops

With the release of the NBA schedule yesterday, Jeff Lind and Mychal Lowman take a look at how it affects the Jazz. They each answered 6 questions about the upcoming season. Call it a Point-Counterpoint. Let’s go!


1.) Based on last year, do you think the Jazz’s strength of schedule this year is harder or easier?

Jeff’s Take:

I look at strength of schedule as a combination of two factors: A) strength of opponent and B) scheduled games.

*2010-2011 Strength of Opponent: *

  • Opening weekend is going to be tough. A back to back out of the gate against all around rival Denver and always tough Suns.
  • Tough road trip mid November – Miami, Orlando, Atlanta, Charlotte, then back home to meet OKC
  • March looks like one of the lighter months opponent-wise (it’s a hard thing to say any month in an NBA schedule is “easy,” especially in a month with 6 games in 9 nights), but March is also marked with two games against Minnesota, and some coasters like Philly, Washington, Toronto, and Sacramento.
  • It’s a good thing March is a bit easier because April is going to be a brutal finish. I mean, last year’s April was tough (@LAL, OKC, PHX), but this year the league is just being mean. A double dip from LAL, a visit from matured divisional rival Portland, a sprinkle of San Antonio, and topped off with a visit from the always tough Nuggets (season bookends). It’s going to be an intense month, especially if we have another WC photo finish.

*2010-2011 Scheduled Games: *

If you break the two seasons into Back-to-Back games (B2B), months with 16+ games in them, number of 4+ game road trips, and longest road trip the numbers compare pretty similarly year over year:

. Back to Backs 16 + Game Months 4+ Game Roadtrips Longest Roadtrip
. 2009-2010 19 1 4 5 Games in 8 Nights
. 2010-2011 19 2 4 5 Games in 9 Nights

The two things that stick out to me about this is:

The Jazz have the same amount of B2B’s but they are worse this year with two more A/A games scheduled.

The Jazz have an extra 16+ game month this year.

Last year the Jazz had an easier entry into the season that they squandered. The team took too long trying to figure itself out, and wasted an opportunity to get some space in the west. As the season went along it got progressively more difficult. Luckily, the team got progressively better. This year, the schedule starts and ends tougher. It has more difficult B2Bs. It’s a tough, balanced schedule and the Jazz don’t have a few months to figure it out. They have to be ready to go from opening tip.

Mychal’s Take:
I agree with Jeff. Last season it really seemed that Utah squandered easy chances to secure high seeding in the playoffs. Can you say Minnesota? On paper it looks like they’re facing the same amount of B2Bs and the Jazz have two 16+ game months this season. But is it harder or easier? I say it’s a bit easier. I think if we had last year’s Jazz squad on this schedule they’d have had a hay day. I’m not saying this Jazz squad is not as good. On the contrary, I think they’ll be even better. But it’s going to take this team some time to develop into their new roles. That first 4 game road trip scares me because hopefully by that road trip the Jazz have begun to gel into Jerry’s Flex Offense.

2.) Is Deron Williams’ claim that no Sunday home games increases the amount of back to backs merited?

Jeff’s Take:
Sort of… but it’s kind of a lame argument. I mean,not playing on Sunday definitely increases the B2Bs, but other teams deal with these types of issues too, and it’s not just small market teams. The Lakers had 20 B2B’s last year, and they play on Sundays… their issue is TV schedule (saying that, LAL only have 15 scheduled this year). What it really means isn’t that the Jazz have more B2B’s then other teams in the league in a given season, but they consistently have more than the others do.

Mychal’s Take:
Yes and no. Not playing on Sunday in Utah definitely causes bumps in the schedule but as Jeff pointed out other teams go through scheduling processes that force them in unfavorable scheduling. Is it fair that Utah doesn’t play on Sundays? No. Does it help them make money? Yes. Ultimately, Deron needs to see that you’re an athlete working in an entertainment business. So you have to make concessions for your patrons. Will the Jazz have more B2Bs than most teams every year? Usually. But is it still possible to win a lot of games? Oh yes.

3.) Can the Jazz avoid their annual dive-bomb for a month? If not, in which month will it occur?

Jeff’s Take:
They have to this year. Running the flex depends on having a group of players working together from the opening whistle to the final buzzer, and the Utah Jazz organization is predicated on having a lean group of undervalued players exceeding expectations. The schedule is tough enough this year, that they can’t afford to lose the gimme’s to the Minnesota’s and Clippers (’09). If it’s one thing the Jazz should have learned the last few years, it’s that one game can make all the difference. After the final Phoenix loss last year , I sat in disbelief wondering what would have been had they won one more game against the Wolves, or started out the season like they finished, or… It was maddening. This year’s team can’t afford to take a month off (also, with Deron’s contract coming up, the Jazz need to show him that they can win now… the last thing the Jazz need is to lose a franchise player because they can’t consistently perform to our potential).

Mychal’s Take:
While I agree with Jeff that Utah can’t afford another year with a 10 game stretch of going 3-7 or 2-8, I think I found on the schedule the scary stretch that we could be saying at the end of the year, “If only the Jazz could have….” That stretch? The January 5 game road trip. In that road trip the Jazz face Washington, New Jersey, Boston, Philadelphia, then travel cross country to play in LA against the Lakers. Then come home the next night and play San Antonio. Then they face our arch nemesis Minnesota. Stretches like this are historically the times the Jazz have played below what they’re capable of. I don’t have to stretch my imagination to see the Jazz trip up against these lottery bound teams and fall short against Boston, LA, and San Antonio.

4.) When will the Jazz make their annual turnaround/make Greg Miller & Kevin O’Connor look like a genius/winning streak?

Jeff’s Take:

This question rests on the shoulders of Al Jefferson and Raja Bell. It seems some fans have already crowned Kevin O’Conner as off-season genius 2010, but it seems premature. What if Al doesn’t gel properly in our offense, or what if his defense really doesn’t improve under Sloan? What if Raja loses his defensive step or has an issue with his wrist? Right now we’re riding on the blue sky of the off-season. Don’t get me wrong… I love what happened in the off-season. Love it. I think they’re better on paper this year then they were going out last year, but it’s just blue sky. The Jazz is a bubble economy right now and we won’t know if they have the assets to back up our investment until the season starts. I’m thinking Al will be serviceable in month one, starts showing flashes of brilliance in late November, and is melting minds come December. By that point, If AK plays to his contract, Raja shoots like he should & plays solid D, Milsap is playing like we know he can (20/10), and Memo is raindancing again then we could have the official O’Conner coronation come January.

Mychal’s Take:
I know December has usually been a month many a Jazz fan would like to forget but I think that is going to be the time where the Jazz start showing signs of brilliance. I think that’s when the Jazz will hit their stride. I think November is going to be a rough month as players are trying to find their roles. I will admit I’m drinking the O’Connor kool-aid already. Now if Sloan can get Big Al rolling in the Flex, trusting his teammates, and playing strong defense we could be seeing a Jazz renaissance of exciting proportions.

5.) What will be Utah’s most pivotal set of games?

Jeff’s Take:

There are two sets of games that will be crucial. The first is the annual Eastern road trip (@MIA, @ORL, @ATL, @CHA). The Jazz need to do well on this trip to solidify our confidence as a team. The second crucial set (and I’d argue MOST important) comes during the last week of the season (@LAL, POR, @SA, @NOL, DEN). It’s ridiculous. Major WC and divisional implications. The Jazz are always in the mix, and the WC is always a dogfight come April. Maybe I’m just haunted by the end of last season, but history says that this set of games will *significantly* impact the Jazz’ seeding in the playoffs.

Mychal’s Take:
I agree once again. That first Eastern conference trip will show us if this is the team that is ready to ascend into the upper echelon of teams or if the Jazz truly did take a couple steps back. I think the Jazz will do well on this trip because of one special player: Raja Bell. Raja Bell is going to be such an addition on road trips. He will keep this team focused. He will become Sloan’s secret police. He will keep the troops in line if there are a few road bumps. The last end of the season is just going to be exciting. Yes the Jazz fans will be having heart attacks every two nights with pivotal games being decided every night. With the division and playoff seeding on the line, the beginning and the end of the season will decide a lot for the Jazz this year. Exciting stuff. As Craig Bolerjack would say, “Buckle your seatbelts!”

6.) ESPN’s “Summer Forecast” has the jazz taking a step back for 2010-2011. They predict the Jazz will go 47-35, finishing 6 games worse than last season, and ending up in the playoffs as the 7 seed. Now that the schedule is released do you see the Jazz winning more or less than 47 games and do you think this is the season the young bloods: OKC and Portland usurp control of the Northwest from Denver and Utah?

Jeff’s Take:

I saw this yesterday and blood squirted out of my eyes. Yes they lost Boozer, Wesley, and Korver, but they got some SOLID additions in the process. Twice a year, every year, the collective media has selective amnesia regarding who Jerry Sloan is and what he does:

Amnesia period 1: Preseason

The Jazz are the perennial underdog. Under appreciated and disrespected. No one EVER expects the Jazz to do well.  And if someone *does* they hedge immediately and heavily.

Amnesia period 2: COY Voting

(no description necessary).

As far as Portland and OKC go, I’m terrified of Portland. If those guys stay healthy, they are going to be a horrible team to play. We’ll see if Oden can ever truly get healthy, but even without him, they are insanely talented. Now… OKC… Yes. They are good… really good, but 2!? I just don’t see it. I love Durant and Westbrook. I think they (and the OKC organization) are class acts and will certainly be amazing, but let’s be careful about taking them over the West’s field. Yeah, they hung tough against a disinterested Laker team last year, but there were a lot of teams that got better this summer, and one of those teams ends in two z’s. I think it’s entirely feasible to see the Jazz finish ahead of Dallas, Portland, and San Antonio but I’m feeling confident that they’ll finish ahead of OKC and the Nuggets (sorry Denver… with Carmelo looking toward NY, Chauncy looking toward another birthday, and with the addition of yet another character in Al Harrington, I don’t see you beating the Jazz consistently). OKC has been playing on raw talent, but I still think they need some time to develop into elite status. They have the guts and grit to be great, but it will take a perfect storm for them to land at 2 in the west.

Mychal’s Take:
When I saw where the Jazz were picked to finish I couldn’t believe it. I, like my SCH compadre here, had to take a tissue to wipe the blood from my eyes. After a quick trip to my optometrist I had to check the papers and make sure Sloan hadn’t been fired. I have just come to expect the following equation:

A Talented Team + Sloan = At least 50 wins.

Heck,

An Untalented but Hardworking Team + Sloan = 45 wins.

But with lower expectations this might be the year Sloan can sneak off with a COY award. It looks like there is a definite love affair with Kevin Durant’s Thunder but I also believe in perfect storms. While I think the Thunder are much improved they caught a lot of teams off guard last year. That won’t happen two years in a row. The Jazz found that out the hard way after they went to the Western Conference Finals. I don’t see how Dallas is rated above the Jazz. The Jazz had their number last year. San Antonio? The Jazz ruled that series. And Denver? Hit your TIVO and look at how the Jazz dismantled them without two of their starters. But I’m glad that the Jazz are off the radar finally. It seems that target is off our backs and it’s on Portland and OKC. I do agree with Jeff on Portland. If Portland is healthy this upcoming season they’re going to be a mean team to play. They’re deep and talented and young. OKC has a solid rotation but the Jazz still can pound it in down low and take advantage in the paint. In my opinion, I think the fight for the division will be between Utah and Portland. With that said, watch out for OKC. If Cole Aldrich develops quickly as a defensive stopper for them this will be an interesting year. I see the Jazz finishing in the 4 spot this year in the West.

Jeff Lind and Mychal Lowman will be regular contributors to Salt City Hoops.

Karl Malone HOF Week: Special Delivery

August 10th, 2010 by Spencer Hall

By Jefferson W. Boswell
Special to Salt City Hoops

Many NBA players engage in a ritual when they step up to the charity stripe. Jason Kidd, for example, used to blow a kiss to his wife and kids (since a nasty divorce, his routine has obviously changed a little). We all remember Jeff Hornacek wiping the side of his face – his own tribute to his family. But then there was the Mailman. He would dribble the ball a couple times, spin it in his hands, and then mutter a few words. With a gentle push and a mild arc, the cowhide globe would hit home – at career rate of just under 75%, (to amalgamate Hot Rod and David Locke). No one really knew what he was saying up there….except for my Grandma.

In the late 1990′s, the Mailman was at the peak of his career. Two MVP awards, two NBA finals appearances, All-NBA, All-Defensive, All- Everything. My Grandma, on the other hand, was in the twilight of her life. She had been a widow for a decade. Although she could hardly see, she would park herself in her recliner, only feet away from her big screen television, and cheer for the Jazz with all of her might. Unlike her beloved Jazz, there was no off-season for her to take a vacation from the countless doctor’s visits and endless prescriptions.

As so often happens for those fortunate to live as long as she did, she lost her balance, fell, and broke her hip. After surgery and a long recovery, she was instructed to undergo physical therapy. During a particularly brutal session of physical therapy, she was resting in her wheelchair – when in walks none other than the Mailman – Karl Malone in the flesh. Just seeing him caused her heart to skip a beat (dangerous for a woman in her 80s).

The therapist said, “Come meet one of your biggest fans, Karl.”

I can almost see my Grandma nearly fall out of her wheelchair and melt like a Popsicle. After introductions and exchanging pleasantries, my Grandma, Alene Boswell, asked the question that had captivated Utah for a decade.

“Karl, what exactly do you say when you are up there taking your foul shots?”

With a smile and a wink, he said, “I’m talking to you up there, Alene. I say, ‘Come on now, Alene, don’t let me down.’”

Even though her health deteriorated and she eventually lost most of her memories, that story was never far from her lips. She passed away on Mother’s Day in 2000 (and never had to see her beloved Mailman in a Lakers jersey).

Karl Malone recently told KSL’s Rod Zundel, when asked if he’d have changed anything in his career, that he wished he would have “done more in the community.” From my perspective, you did just fine, Karl. Congratulations on entering the Basketball Hall of Fame this week. You’ve been in the humanity Hall of Fame for a while now.

Jefferson Boswell will be a regular contributor to Salt City Hoops. He can be reached at jeffersonboz [at ] gmail [dot] com

Sloan and O’Connor Re-up with the Jazz

August 5th, 2010 by Spencer Hall

Photo by Jeffrey D. Allred, Deseret News

“Second Rounder? Yes, only Second Rounders.”

In a move that should surprise no one, the Jazz announced today that they have signed GM Kevin O’Connor to a multi-year contract extension. Jerry Sloan also confirmed that he will honor the contract extension he signed in December and will coach the team during the upcoming season.

It’s safe to say that the announcement of the KOC extension would have been met with a much more negative reaction from Jazz fans had O’Connor not taken Minnesota GM David Kahn out behind the woodshed earlier this summer and, to paraphrase the great Kelly Dwyer, somehow convinced him to give up Al Jefferson for a ham sandwich. If that deal doesn’t go down, you can bet there would be major unrest in Jazzdom.

The press release lists O’Connor’s accomplishments as GM:

Among some of the key moves orchestrated by O’Connor during his tenure with the Jazz are acquiring the draft picks (through trades) that led to the selection of Deron Williams and Gordon Hayward. Other acquisitions include, trading for Al Jefferson, the free-agent signings of Carlos Boozer, Matt Harpring and Mehmet Okur, and draft finds like C.J. Miles (34th overall in 2005), Paul Millsap (47th overall in 2006), Mo Williams (47th overall in 2003) and Wesley Matthews (undrafted in 2009)

That probably gives him a firm grasp on Best Second Round Draft Picker in NBA History. He’s also particularly adept at picking up second-tier players who flourish in Jerry Sloan’s system. In that vein, the rest of the accomplishments listed in the press release, such as the +.500 record in 10 of 11 seasons,  would probably be more accurately attributed to Sloan.

The bottom line is that the Jazz are poised to keep their front-office intact and competitive in a league that shuffles coaches and GMs around like cheap office furniture. So what do you think? Are you excited for a few more years of the KOC era?

Inside the Flopper’s Studio

August 2nd, 2010 by Spencer Hall

By Mychal Lowman
Special to Salt City Hoops

I’ve been a Jazz fan my entire life, but due to genetics I never got to pursue a professional basketball career — it’s a cruel gene that never allowed me to grow past 5’4″. So I chose a different life. One of acting. Yes I’m a theatre guy (with a degree, even). I act, direct, and write.

So for my first contribution to Salt City Hoops I’ve been asked to put my skills to use by writing a performance critique. I know what you’re thinking and, no, I’m not going to do a performance critique of Charles Barkley’s commercial work. I won’t put any of you through that kind of torture. (But did you notice that he could barely fit through the telephone booth?!)

Sir Charles Definitely Not Acting But Trying

Let’s start with the best acting performances of the past season. Mainly Flops. Flopping as an art and a stagecraft, a la Vlade Divac. It is a total acting commitment. Or as Stanislavski would say, it requires you to act as though you’re “in the moment.” I’ll be analyzing a few flops from the best Flop Artists of today: Manu Ginobli, Amar’e Stoudemire, Pau Gasol, Derek Fisher, and Paul Pierce. Then I’ll compare these flopping legends of the present to all-time Jazz great John Stockton. It is often said in NBA circles that John was quite the flopper so we’ll see if he matches up against these Flopper Extraordinaries.

The criteria will be the same things you look for in a good acting performance:

  • Character
  • Did the player stay true to scene? From the beginning of the flop to the pleading to the referee, did he stay true to his action?

  • Passion
  • Did they sell the scene through their facial expressions and mannerisms?

  • Credibility
  • Did you believe it? The first time you saw it live before the replay did you think it was an actual foul in real time before you realized it was a flop?

  • Ebulliency (yes, it’s a word)
  • Ebullience is the quality of lively or enthusiastic expression of thoughts or feelings. Or in other words, when an actor is acting on stage he can’t be subtle with his actions. To make sure it plays to the audience that action has to be ten times bigger for it to be believable. So did the player go big? Were his physical actions dynamic?

  • Result
  • The best actors get the best results. Awards, more jobs, more money. In this case, the best floppers get the call. They turn a casual accidental bump into a chest into a Flagrant 2.

So who is the focus of today’s Masterpiece Theater?

Manu Ginobili

How can you deny that face?

It’s no news that Manu is a flopper, but he needs to be first under our microscope as the poster boy for flopping in today’s league. So how does Manu stack up on our scale? His performance is evaluated based on these videos:

OSCAR!!! Now that’s a performance!

  • Character – 5 stars
    He committed right from the get go. You can even notice with the Bonzi “foul” he anticipated and saw that he had made Bonzi a perfect victim.
  • Passion – 5 stars
    Manu will always get 5 stars in this category. He is never without his customary wide-eyed look after he does or doesn’t get a call. I think Duncan teaches them.
  • Credibility – 3.5 stars
    Now this is where it gets hazy. Ginobili has earned a reputation as a flopper and in the 2nd clip you can see where that goes against him. The trick of flopping is to get the officials attention at the end of the call. You don’t give your Oscar winning performance when all eyes are on you to begin with on the play.
  • Ebulliency – 5 stars
    Manu is a guy an acting teacher loves to have in the classroom. He grew up seeing soccer players flop like fishes to the ground by tripping over a blade of grass. He goes BIG! As evidenced by the 2nd clip he’s willing to sell it. He’ll turn something out of nothing.
  • Result – 4 Stars
    If this was a couple years ago he’d have received a 5 but he’s earning a reputation as a flopper and as he’s becoming more of a lazy defender he relies upon his theatrics to get him out sticky situations. But he goes big at every opportunity.
  • Overall – 4.5 Stars

—–

Follow Mychal on Twitter @my_lo and send your flopping reviews to saltcityhoops@gmail.com. Look forward to more time inside the actors studio with @my_lo in the future.